A demented insurance sales agent (Rajpal Yadav) barges into a married
couple's (Suniel Shetty and Sonali Kulkarni) afternoon love-making and
creates horrific havoc, a wannabe actress (Mallika Sherawat) hitches a
ride with a hot shot director who wants to switch from family films to
the horror genre, a professor (Amitabh Bachchan) looks into the mirror
to see an eerie stranger....
Ram Gopal Varma's film is every bit as scary as you want it to be.
A sequel to 'Darna Mana Hai' it has six stories each story directed
by six different directors. There are times the film makes you fall
off your seat. Elsewhere the doddering ghost material topples over under
the weight of grim pointlessness.
Fortunately the scare-snare is laid out with loads of tongue-in-cheek
Hitchcockian humour...For example, the fat man (Manoj Pahwa) in Sajid
Khan's story watches "Darna Manaa Hai" in an empty theatre....
Ram Gopal's scare fest could've been far more frightening if it had
not tried to pack in so many stories into one scoop of eye-scream. Devil
knows there're elements of genuine horror in the presentation. Apparent
ghosts turn out to be human beings, while apparent human beings turn
into ghouls before the final fadeout of each short story. The sense
of ongoing ambiguity is the narrative's main asset.
The pick of the lot is the Mallika Sherawat-Anil Kapoor story (directed
by Jiji Philips who directed Anil in the whodunit "My Wife's Murder"
some time ago). Anil is a hotshot director who wants to make a horror
film, and he picks up a sexy hitch-hiker (Mallika). The girl plays mind
games with Anil all the way to his bungalow in Khandala. This segment
is funny and scary. And also rather tragic.
Two of the stories end with their protagonists, Manoj Pahwa and Anil
Kapoor, dying of heart failure after being scared by pseudo-ghosts.
Just goes to show, shiver at your own risk.
Humour in fact
runs through all the stories. Whether it's the furiously tongue-in-cheek
prelude directed by Sajid Khan in the first story where a fat man (Manoj
Pahwa) gorges his way through a screening of Ram Gopal Varma's "Darna
Manaa Hai", then is scared out of his life in a graveyard.
Even the Bipasha-Arjun Rampal episode (the two look so well-matched
together) has its moments of mirth. Arjun is a traveler who drops in
Bipasha's bungalow when his car breaks down. Arjun who doesn't believe
in ghosts, meets a spirit there. In another story Randeep Hooda meets
a woman on a rainy night and the next morning finds himself in police
custody for killing a man.
The ghoulish element - the raison d'etre for these stories - get way
out of hand with kids dropping dead as an old woman sits them down to
tell them stories. Kids getting bumped off isn't fun. Horror films are
at the end of the day (or night) meant to assuage your fear of the unknown.
What the film's six directors do is to bring a kind of compulsive
cohesiveness to the tale of the unknown. Lamentably the segment directed
by Ram Gopal Varma featuring the mighty Bachchan falls short... and
hardest. Mr Bachchan is an old professor who imagines he's being stalked
by an invisible entity. Riteish Deshmukh as his student who advises
him to seek a psychiatrist's help, stands up admirably well to the formidable
competition.
Many of the other actors surprise you by their presence... Bipasha's
smouldering sensuality, Randeep Hooda's startling intensity (as a man
possessed), Rajpal Yadav's manic portrayal of working-class dementia,
and of course Mr Bachchan in his role of the old professor.
At the end of the scare fest you're looking at a film with a profusion
of talent. But not enough proof of the talent's productivity.