Meanwhile Mahendra gets married to Ashalatha (Raima Sen) a naive but
loving, illiterate girl from a humble background. After the initial
bliss they are having a period of clamminess in their relationship.
It is then that Binodini arrives at their home as a companion to Mahendra's
rich, widowed, bossy mother Rajalakshmy (Lily Chakrabarti). Binodini
uses her bewitching beauty to charm her way into everybody's lives in
the household and makes calculated moves to cause conflict between them.
Eventually Mahendra falls for her and the shocked but helpless Ashalatha
leaves for her own home...
The film is a visual treat to the eyes. Shot mostly indoors inside a house
with only one or two exceptions, the hues and shades of the relationships
are cleverly depicted by excellent use of lighting. The director has looked
into each and every minute detail and along with his art director Bibi
Roy has depicted the era with perfection. But for the commoner the film
may seem a bit too long and too overloaded with details. Background score
by Debajyoti Mishra gels well with the mood of the film.
Aishwarya Rai looks beautiful as usual and she depicts a nymph like
quality through out the film. Raima Sen is brilliant in her role and
portrays her character in a sensitive manner. Lili Chakrabarti does
her role well. Chaterjee as the westernized Mahendra is just okay.
The period film shot aesthetically may appeal to a select crowd of
cinegoers.