In a strange twist of irony, a Hollywood movie borrows from a Hong Kong
film hugely inspired by American crime classics. Martin Scorsese's "The
Departed" does seem to be influenced by "Infernal Affairs"
- the Hong Kong film released in 2002.
Scorsese has simply complimented the original. The film's script retains
the essence of the earlier film but also adds much more flesh to it.
This is Leonardo Dicaprio's third film with Scorsese after "Gangs
of New York" and "The Aviator".
The plot revolves around Billy Costigan (Dicaprio), a cop pretending
to be a crook and Colin Sullivan (Matt Damon) doing just the opposite.
They both soon find themselves embroiled in situations where it becomes
increasingly difficult to tell the good from the bad, as the line gets
more and more blurred.
Colin has been trained to be a mole by his gangster mentor Frank Costello
(Jack Nicholson). Billy, on the other hand, realises that he will never
be a good cop and so agrees to go undercover and join Costello's gang.
As the story progresses, the pressure on the two becomes unbearable
as they have to do things completely against their true nature ... and
they fail.
The movie's thrill factor is served well by a series of coincidences
like when Billy and Colin fall for Madolyn (Vera Farmiga), the psychiatrist
who treats Billy but is already involved with Colin. With a story where
the main characters have to lie their way out of every situation, there
have to be enough twists and the plot's ends are not tied up till the
very last frame of the film.
One of the strongest points of the movie is the acting. Both Dicaprio
and Damon are excellent. They even begin to start looking like each
other as they become more and more entrenched in their deception.
Jack Nicholson, who is a legend in his own right, is brilliant in this
role where he sinks his teeth with devilish charm and delight. His performance
is electrifying in what is surprisingly the first time he has teamed
up with Scorsese.
Farmiga convincingly
portrays a great mix of sex appeal and intellect.
Alec Baldwin, playing the arrogant policeman, has some of the funniest
moments with Wahlberg's Dignam. Martin Sheen plays the father figure
Captain Queenan - the warmest character in the movie. He may not be
ruthless but he is honest and dedicated.
The violence in the film jarring at times but seems to be judiciously
used for the right impact. It is not blood soaked as much as sprinkled.
It fits in well with the gritty nature of the place, profession and
people in the film.
Scorsese has always been a director who has tackled grandiose themes
like sin, redemption and loyalty. But in "The Departed", he
sticks to a more narrative framework but still tackles the themes albeit
more subtly.
The script is by William Monahan, which comes as a pleasant surprise
considering his last script was for the bloated, flat and insipid "Kingdom
of Heaven".
Howard Shore contributes to the score but is helped by Scorsese's brilliant
use of pop music, which is a trait of all his movies. There is an interesting
mix of The Rolling Stones, John Lennon, the rapper Nas, Van Morrison
and the Beach Boys.
"The Departed" is pure entertainment in the mould of an American
crime classic, but is sure to please audiences the world over.