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Introduction | Performance | Music, Costume and Make Up  | Technique

Technique-Adavu

The eighth group is sometimes knows as the 'poi adavu', meaning the soft silent dance patterns, with graceful hops and jumps. While there are many varieties of this adavu, its distinctive feature is the lifting of the feet very silently to a new position. Such extensions, front and back, are common. Some of the jumps of Bharatnatyam belong to this group. Portions of dance numbers such as Jatisvaram are executed in this adavu.

The final and the ninth group is called 'ta dit dit tai'. Here the arms provide variation while stamping in the ardhamandali remains constant. A combination of this variety and the seventh group provides many complex, improvised patterns on the basic tala.

A number of these adavus can be knit together to form sustained dance sequences. These dance patterns are known as the tirmanams. The difference between an adavu and a tirmanam is perhaps slight but a very real one. Actually the word tirmanam is literally used for the rhythmic syllables spoken  by the dance conductor as he plays on the cymbals. The tirmanam is recited vocally and has its own mnemonics (sollukattu). The adavus and the tirmanams are set to the beats of a tala.

In a tala, certain beats are important and receive stress. In a tala called the 'triputa' which may be expressed in terms of western music as the 7/4 the metre, the first, the fourth and the sixth are stressed. The weaker beats are counted only by the fingers or waiving the hand. In the most common adi tala, which consists of eight beats, the first, the fifth and the seventh are stressed.

The tirmanam can be performed either only on a drum (mridangam) or to a sung melodic line. In the nritta portion, the dancer first performs these patterns only to the beat of the drum and then as she proceeds, executes them to the sung melodic line.  An adavu is a Karana, a tirmanam a combination of adavus or an anghara culminating normally in a triplet.

When Bharata Natyam adheres to tradition it brings the artist and the spectator into contact with all that is best and purest in Indian culture. It exalts the mind and refreshes the spirit. Bharata Natyam is amongst the finest of our art treasures, the noblest of our inheritances. 

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